"What Remains"
A Sculpture about bonds that endure
Two figures rise from the same root of clay, standing side by side as symbols of a bond that withstands time. One folds inward, the other faces outward; one holds the fire of memory, the other the calm of the present. Between them pulses the permanence of what is both real and invisible: the connections that outlive obstacles, silences, and transformations.
What remains speaks of that silent force that binds -whether love, memory, companionship, or belonging -a strength that never fades.
Ceramic sculpture
Figure I: 47 x 37cm |2.1kg
Figure II: 39 x 34 cm I1.9kg
Hand-built white clay with chamotte,
bisque in low fired.
Finished with oxide washes and white slip.
Surface sealed with natural wax.
2025
"The Guardians of Fire"
Where the strength and vulnerability meet.
The Guardians of Fire is a collection of six vessels born from the earth and transformed by fire. Each carries on its surface the traces of smoke, chance and time, a dialogue between what fire decides and what the hands allow. Their shapes recall the ancient, yet their spirit belongs to the present. Created slowly, allowing the material to speak, the air to intervene and the fire to decide its own destiny.
They speak of respect, of nature's power over us, so small humans. Vessels that guard a symbolic flame, still burning within those who Know how to look slowly.
Ceramic Vessels
Set of six low-temperature clay vessels,
entirely handmade.
Each piece varies in size and diameter,
featuring a matte finish and a soft,
natural texture.
The surface are painted and spattered exclusively with oxides,
without glaze, allowing the fire and smoke to define their final character.
2025
After the Noise
Ceramic sculptures that emerge from silence, after the noise of everyday life has faded
After the Noise is a collection that explores the moment when the world finally falls silent -the instant after chaos, after exhaustion, after everything that overwhelmed us has burned out. In that quiet space, the figures rediscovered themselves: unsure, curious, vulnerable, or ready to step out.
Each piece captures a different emotional posture that appears only when the noise ends: the courage to emerge, the hesitation before crossing a threshold, the comfort of simply pausing, the instinct to look back or to look within.
Together, these sculptures form a quiet landscape of human resilience - an invitation to breathe, to feel, and to listen to what remains when everything else stops speaking.
HERE I AM
After the noise, I found my own center
Here I Am captures the fragile moment of stepping out after a long stillness. The small figure, newly emerged, stands at the edge of its world -uncertain, exposed, yet undeniably present. This sculpture speaks oddly the quiet bravery required to show oneself, even when the heart is still trembling.
It is the whisper of a beginning, the soft declaration that follows survival:
I am here.
Tabletop ceramic sculpture
21 x 20cm | 2.1 kg
Hand-built in low fire white clay.
Red underglaze.
transparent interior glaze.
Quartz liquid seal on the exterior.
2025
The Luxury of Contemplation
After the noise, I allowed myself to pause
The Luxury of Contemplación reflects the rare gift of being able to pause without guilt. The figure rests on the rim, not rushing forward, not rushing back -simply allowing itself to witness the moment. It embodies the quiet privilege of slowing down, of breathing fully, of letting the world move while one remains still.
A sculpture about presence without urgency, and the subtle strength found in simply...contemplating.
Tabletop ceramic sculpture
25 x 23cm |1.8kg
Hand-built in low fire white clay,
blue underglaze,
transparent glaze inside,
quartz liquid seal on the exterior.
2025
Some Stay There
After the noise, I stayed, for the one still inside
Some Stay There captures the moment when a figure considers leaving -yet hesitates at the threshold.
One presence remains inside, unseen but felt; the other lingers on the edge, unsure whether to step forward or return. The silence between them holds a question that has no easy answer.
This piece speaks of the paces we remain long after we should have moved on, and the emotional rooms we revisit even when they no longer hold us.
Tabletop ceramic sculpture
35 x 31cm |5kg
Hand-built in low fire white clay,
blue underglaze,
transparent glaze inside,
quartz liquid seal on the exterior.
2025
Maybe Still
After the noise, I stayed a little longer
Maybe Still dwells in that suspended moment when something inside us is not fully ready. The figure leans outward, almost stepping, almost choosing -yet held back by a quiet uncertainty. It is neither arrival nor departure, but the fragile middle space where hesitation becomes honest.
This piece reflect the times when we sense a shift coming, but we stay still for just little longer...
maybe still.
Tabletop ceramic sculpture
35 x 31cm |5kg
Hand-built in low fire white clay,
red underglaze,
transparent glaze inside,
quartz liquid seal on the exterior.
2025
The Theatre of the Absurd
In the absurd, we recognize ourselves
The Theatre of the Absurd is a sculptural collection that celebrates the stage, the ironic, and the beautifully illogical. Each piece becomes a silent scene where the ordinary twists into the unexpected -a place where contradictions make sense and the ridiculous reveals truth.
These figures inhabit a world where human behavior is exaggerated, tender, foolish and deeply familiar.
They invite the viewer to recognize themselves in the absurdity, to smile at the contradictions we all carry, and to see meaning in what first appears nonsensical.
In this theatre, the irrational becomes honest, and the absurd becomes a mirror.
ORILLAS DE SAL
A collection of ceramic pieces born from the meeting of earth, seam and the silence of the Mediterranean
Shores of Salt is a sculptural collection shaped by the quiet language of erosion, memory and time.
These pieces echo the traces left behind when the tide recedes-from worn by wind, light, and silence rather than intention.
Some works were restored after breaking; others remain exactly as the fire delivered them.
None seeks perfection.
Each holds a presence, a truth, and the stillness of something that has endured.
This collection speaks of what remains after life rubs us down to our essentials: a silent strength, a fragile beauty, and the imprint of everything that has touched us.
Transparencies of Silent
Some truths rise in silence - loud, clear, and sacred
Transparences of silence is an ode to everything that remains unspoken. The twenty-nine hand-shaped vessels hover like suspended thoughts -each one left unglazed, carrying the raw memory of fire and earth.
Only one dares to speak: a thin line of gold pouring from its mouth like a truth finally released.
This piece invites the viewer to listen beyond sound, to sense the invisible weight of what we hold inside.
In a world of constant noise, it honors the quiet, the fragile, and the sacred act of simply existing.
Wall ceramic sculpture
100 x 170 | 20 kg
28 hand-built ceramic vessels,
natural light clay,
unglazed.
One piece features 22 gold luster,
2025
Mansam-Saudi Arabia
Collection
Over the past two years, I have created more than 5.000 handcrafted ceramic pieces for Mansam, a Saudi-based luxury perfume house.
This collaboration emerged from their desire to develop bespoke design -incense containers, scented candle vessels, and sculptural elements that reflect the essence of their brand while maintaining minimal and contemporary identity.
Each piece was crafted in low-fire white clay, finished with natural textures, matte surfaces, subtle engravings, and selected gold accents.
The result of this collection that unites fragrance and form, enchanting the sensory ritual that defines Mansam's character.
If your brand is searching for unique handcrafted ceramics designed exclusively for your project, I would be delighted to hear from you.
So Humans
A ceramic collection that explores the beauty and fragility of who we are
Born from a deep desire to understand the tension between the individual and the collective, So Human explores the fragile balance between freedom and belonging, chaos and the delicate order we try to build around ourselves.
Each piece is a body, a fragment, a trace.
There are voids, scars, and golden lines where light insists on returning.
In these sculpted forms, silence speaks —holding something ancient, something contemporary, something profoundly… human.
"Belonging"
Explores the invisible threads that connect us to others, family, community, memory. It speaks of the human need to be seen, to be accepted, to be part of something greater than the self. The composition reveals both connection and distance, the gaps between shapes echo the silence we carry, while the gold marks the sacredness of union.
Belonging
Wall ceramic sculpture 50 x 57 cm | 8 kg
blue and white underglaze,
central glazed area with goldluster detail.
2025
"The threshold of the Decision"
This piece captures that precise moment when a decision turns into action. The figure, suspended on the threshold between the known and the unknown, is surrounded by lines that suggest possible - yet unresolved - paths. The tension between moving forward or staying stick is reflected in the forms, while the golden details highlight the significance of the intent, There is no turning back: only a leap forward or stillness. The sculpture speaks of the quiet courage required for change.
"Lines of Time"
This piece evokes the passage of time as a layered sequence of lived moments. The overlapping lines suggest different paths, simultaneous realities, and memories that intertwine. The central forms float in an ambiguous space, anchored by golden accents that hint at significant events. It is a reflection on how we carry time inside us, not as a linear thread, but as a dynamic and emotional landscape.
Wall ceramic sculpture
59 x 82 cm | 11kg
blue and white underglaze,
central glazed area
with goldluster detail (approx. 22K)
2025
Walking Over the Rubble.
The piece represents the idea of moving forward even among ruins. The central figures walk over an entangled structure symbolizing chaos, the past or was has been broken. Yet their gesture is firm, silent. The gold does not adorn but bears witness the contained strength. This piece is a tribute to resilience, to the dignity that persists even when the ground trembles.
Whispers of Ukiyo
Ceramic fragments of untold stories.
Whispers of Ukiyo is a ceramic collection inspired by fleeting moments, quiet emotions, and the intimate theatre of everyday life.
Echoes of Ukiyo-e aesthetics blend with contemporary Japanese minimalism, where illustration, humor, and stillness coexist in a soft, poetic tension.
Each piece captures a fragment of story:
a question without an answer,
a gaze that lingers,
a warrior with a secret.
Some smile in silence.
Others hold their grief gently.
All invite the viewer to listen more than look.
Created with underglaze illustration, soft mineral palettes, and subtle asymmetry, this collection embodies impermanence and presence —like a passing cloud that knows it has been seen.
Monstruitos
Ceramic creatures with secrets and smiles
Monstruitos is a ceramic collection where each piece becomes a character born from an imaginary world —a blend of childhood dreams, urban myths, and emotional sparks.
Some are adorable.
Some are strange.
Some carry small hidden messages.
They are never perfect —and that is precisely what makes them feel alive.
Each Monstruito is fully hand-sculpted and hand-painted, one by one.
No molds. No copies.
Their eyes may follow you.
Or perhaps they’re simply waiting for someone to notice them.
They're not monsters.
They're fragments of us - the awkward, the mischievous, the tender, the strange. Made of clay, guts, and ridiculous little hearts.
-Olga Dacha13
Bodies of Water
Stories shaped by water, movement and light
Bodies of Water is a collection of ceramic vessels that capture the fleeting beauty of human gestures shaped by water, movement, and sunlight.
Figures dive, float, embrace, or hover —each one carved into textured surfaces like distant memories.
Painted in soft mineral tones and born under the Mediterranean light, these pieces hold more than water:
they preserve fragments of days we never wanted to end.
The Garden (El Edén)
The Garden is a sculptural plate that evokes a mythical beginning —
where light, gesture, and gold trace the outlines of paradise.
Created through layered underglazes, carving, glaze, and a final gold firing, the piece holds silence and splendor in equal measure.
Still waiting for the soul who will recognize it.
La Reinona
La Reinona was the very first sculpture ever born from these hands.
Created in the earliest days of learning, she arrived into the world unapologetic: naked, bearded, crowned, and entirely herself.
Part diva, part pirate —absolutely unforgettable.
She now reigns in the studio as a sacred relic, a reminder that beginnings do not need to be perfect; they only need to be true.
Made from the artist’s hands, with laughter and with love.